Sunday, January 29, 2012
Living landscape
After another incredible few days in NYC recently where I met with friends and cousins and took in some wonderful museum shows that left my aesthetic antennae all aquiver, I left the house a few days ago en route to an Alexander lesson and was struck by how the early sunlight on the houses made them look like a Hopper painting, how interesting the texture in the concrete of the sidewalk was, how alive the air.
On On Being, this morning, Krista Tippett reran an interview she did several years ago with Irish poet and philosopher John O'Donohue, who died in his sleep at the age of 52. I posted the wonderful blessing he quoted in a previous post and thought I'd add a snippet from today's broadcast that resonated with me. Here's the quotation from Mr. O'Donohue:
"I think it makes a huge difference when you wake in the morning and come out of your house. Whether you believe you are walking into dead geographical location, which is used to get to a destination, or whether you are emerging out into a landscape that is just as much, if not more, alive as you but in a totally different form. And if you go towards it with an open heart and a real watchful reverence, that you will be absolutely amazed at what it will reveal to you. And I think that was one of the recognitions of the Celtic imagination: that landscape wasn't just matter, but that it was actually alive. What amazes me about landscape, landscape recalls you into a mindful mode of stillness, solitude, and silence where you can truly receive time."
Today's picture is of the Cloisters that I took on Jan. 20th 2012 on a journey to my old stomping grounds after almost a quarter of a century.
Sunday, January 8, 2012
The world unseen
I'm the sparrow on the roof
I'm the list of everyone I have to lose
I'm the rainbow in the dart
I am who I was and how much I can hurt
So I will look for you in stories of hurricanes
Westward leading, still proceeding
To the world unseen
I'm the mirror in the hall
From your empty room I can hear it fall
Now that we must live apart
I have a lock of hair and one-half of my heart
So I will look for you
Between the grooves of songs we sing
Westward leading, still proceeding
To the world unseen
There are no gifts that will be found
Wrapped in winter, laid beneath the ground
You must be somewhere in the stars
'Cause from a distance comes the sound of your guitar
And I will look for you in Memphis and the miles between
I will look for you in morphine and in dreams
I will look for you in the rhythm of my bloodstream
Westward leading, still proceeding
To the world unseen
Rosanne Cash from Black Cadillac - I think the lyrics are better than the song.
Lately I've become aware of flutists' penchant for imagining what kind
of bird "sings" the opening flute solo in Peter & the Wolf. On my
toddles around the neighborhood, I am constantly aware of birds' song
as I travel, and particularly notice the sweet little sparrows. I like
to think of them as my pets, only I don't have to feed them (at least
not when there isn't snow on the ground). So I think that will be my
bird image as I prepare for the Melrose Orch.'s April 1 (no joke)
performance of P&TW this year.
Pix today from 22.Aug.2011. Stone sculptures from that wonderful house on Waldorf St. in Ashmont Hill.
I'm the list of everyone I have to lose
I'm the rainbow in the dart
I am who I was and how much I can hurt
So I will look for you in stories of hurricanes
Westward leading, still proceeding
To the world unseen
I'm the mirror in the hall
From your empty room I can hear it fall
Now that we must live apart
I have a lock of hair and one-half of my heart
So I will look for you
Between the grooves of songs we sing
Westward leading, still proceeding
To the world unseen
There are no gifts that will be found
Wrapped in winter, laid beneath the ground
You must be somewhere in the stars
'Cause from a distance comes the sound of your guitar
And I will look for you in Memphis and the miles between
I will look for you in morphine and in dreams
I will look for you in the rhythm of my bloodstream
Westward leading, still proceeding
To the world unseen
Rosanne Cash from Black Cadillac - I think the lyrics are better than the song.
Lately I've become aware of flutists' penchant for imagining what kind
of bird "sings" the opening flute solo in Peter & the Wolf. On my
toddles around the neighborhood, I am constantly aware of birds' song
as I travel, and particularly notice the sweet little sparrows. I like
to think of them as my pets, only I don't have to feed them (at least
not when there isn't snow on the ground). So I think that will be my
bird image as I prepare for the Melrose Orch.'s April 1 (no joke)
performance of P&TW this year.
Pix today from 22.Aug.2011. Stone sculptures from that wonderful house on Waldorf St. in Ashmont Hill.
Sunday, January 1, 2012
The time we are given
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The second day of Christmas
The Young People's Chorus of New York City singing the 12 days of Christmas, and Jingle Bells
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Tobey on the back of the sofa. He usually drags the rug down off the back & makes a nest of it. :|
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Maya Angelou I note the obvious differences in the human family. Some of us are serious, some thrive on comedy. Some declare their lives ...
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Shots taken around the yard and in front of the porch of the garden finery Andy's tended all season.